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"La tenture de la Dame ą la licorne, du Bestiaires d'amours ą l'ordre des tapisseries"
Antoine Glaenzer
Micrologus: Natura, scienze e societą medievali, 10, 2002, 401-428
 

Discusses the representation of the five senses in «The Lady with the Unicorn», one from a series of six tapestries produced at the end of the 15c. in the region of Brussels in the context of iconography of animals in bestiaries, demonstrating how the five senses open up the sixth «ą la merci de la dame».

Language: French


 
 
  
 
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